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“What’ll I sing Betty?” Maria, accompanied by Betty, repaired to the spot where they had left the little boy. He was not there. In vain they shouted and called his name. Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor..

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“Put some sunshine into your voices children,” admonished Nell. The last act exhausted the possibilities of the theatre in light effects and sylvan scenery; and the curtain rose on a gorgeous scene. But oh, horror! In the middle of the stage the scene-shifters had left the ugly truck that moved Storm King’s reservoir of ice and snow. When used in previous acts, bed and wheels had been hidden by moss, the tank had been covered by his mantle, and the entire mechanism, moving as he moved, had seemed a part of himself. Now its secret was disclosed and it was ridiculous. “Billy! I’ll tell you what let’s do; we’ll make a circus ourselves!” “Say, fellows, business now, and no questions asked. There’s a hitch on the stage. Storm, wrap that cloak round you—don’t wait for fixings—and get to your place in the wings, quick! When I say ‘Go,’ take Rain’s hand, crouch low, run to the centre, and between you yank that snow tank off the stage. Sabe?”.